• TOP NEW SKOOL-RAPPERS 2014

    By Byaruhanga Felix (@TheNinjaFelix) If you’ve clicked that link thanks and if you don’t see your name or your favorite new skool rapper’s name below don’t catch feelings just share your thoughts with us via twitter @TheNinjaFelix or @TheTribe_UG.

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  • KEKO ON HER MIXTAPE AND UG HIP-HOP [Interview]

    By Byaruhanga Felix (@TheNinjaFelix) As we wait for 13th December for the official release of Keko Town's upcoming P.A.R.A.N.O.I.D mixtape (which we shall be hosting on our blog) I caught up with

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  • NEW DAY - ATLAS ft. Lillian Mbabazi [Behind The Scenes]

    By Byaruhanga Felix (@TheNinjaFelix) New Day is one of the singles of Atlas Da African's upcoming album 'Loyalty Before Royalty' and it features the talented Lillian Mbabazi who;

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Thursday, January 8, 2015

#OffTheMIC: You - Essie ft. CODE (Free Download)



By Byaruhanga Felix (@TheNinjaFelix)

Welcome to the first #CODEConnect session of the year 2015. For this Thursday's #CODEConnect segment #OffTheMIC, we decided to talk to the members behind "Crown ACE" about their first project 'YOU' on which Essie features CODE and produced by Josh SB. Crown Ace comprises of CODE, Essie & the producer/video director Josh SB who has been behind most of CODE's projects. We reached out to them to tell us creative process of the track 'YOU'. It's an Afro fusion of hip hop and soul off her upcoming EP. In-case you haven't listened to the track yet, you can download it here.

CODE (@TimothyCODE)


YOU started as an idea between Josh and I.  We wanted to help Essie create a powerful single to announce her return to the music scene with a bang. But also, we needed a dope lead single for her upcoming EP, "SickBeatz and Soul". Josh is insane with the beats so this time we decided to not give him our preferences. We just let him create. He sent the beat to Essie and I and we began writing. We hit studio and the session was even more pumped up. Jokes flying every where, Melodies popping out of nowhere, it was effortless. Fun Fact : Essie went HAM in the booth first. I took my sweet time and finally recorded. We played the rough version till about 5am the next morning and left studio around 12:00 noon. Everyone couldn't get enough of Essie. And She wanted to rap, yet that's my job!!! Any-who, from that point till today, response for YOU has been great. We cant thank the listeners enough. Crown ACE promises to deliver. Braaaap !

 JOSH SB (@JoshSBSessions)


YOU was written on a beat I created after CODE challenged me to experiment with African cultural drums some time back so I got right into it and spent two nights in studio trying to craft it. The first attempt to lay down genuine African drums kinda didn't yield any sensible results because I'd never tried anything of that kind before. It's until I watched a documentary about the richest African monarch which ended with this amazing west African drum groove that kept pulsing in my mind the whole night till the next day when I hit studio and with that inspiration I managed to lay down an authentic west African drum groove in logic.

The trick was marrying African drums with R&B and hip-hop all at the same time but thanks to my live music background I managed to lay down soft melodic piano work and a liltle bit of groovy electronic sounds (typical of SB) on top of the African drums and of-course the hip-hop groove was the easy part. The recording session was pretty inspiring, fun and tiresome at the same time cause we composed the song right there during the session and spent the whole night arranging and recording (plus a bit of comedy). CODE nailed his bars and Essie surely delivered vocally until she couldn't deliver no more (laughs). But I must say this is a song where Essie fully expressed who she is musically and I also managed to express myself musically through the musical arrangement of the song where each switch up is a perfect representation of my different musical background.
It's a crazy jam specially made for pop music fans all over the globe. Big up to all those who spread the word and made noise about it on social media. WE GOT "YOU"

 ESSIE (@Essie256)



The journey to recording of You started with Josh SB creating a beat that was a fusion  of Pop and RnB, something more of a CODE ft. Essie track. CODE however suggested we make it an Essie ft. CODE track to get me back on the music scene and to introduce Crown Ace to the UG music scene as well, an idea we all thought was great! Josh made a couple of adjustments here and there with a fusion of RnB, Soul, House, and Hip-hop which gave it more of an Essie feel. Well I must say, a Crown Ace recording session is always an epic musical turn up except for the part where those guys pick on me (Yes i'm reporting You). 

A lot of innovation and creativity is embraced to create a great sound or something never heard before which is easy since CODE, Josh and I are quite syndicated musically. For "YOU" the recording session was between midnight and midday (for the love of music). CODE had the hook written down already ('obugalo') and for the rest, it was each man for himself and God for us all. I went in first to voice the hook, wrote my verse while CODE and Josh worked on the intro, recorded my verse while CODE wrote his verse and finally watched CODE record his verse. Josh mixed and mastered to create such a great tune. I'm more than grateful for the support from the fans, feedback, online interaction and reception of the song and urge you to keep sharing and requesting for the song on your favorite request shows. Expect a lot from Crown Ace this year including my EP Sickbeatz n' soul that i'm currently working on with Josh. Thank you for the support and keep supporting Crown Ace and UG music generally on the map.

Connect With Essie
Twitter:@Essie256
Facebook:Essie


Contact Writer 
Twitter: @TheNinjaFelix 
Facebook: Byaruhanga Felix Felifed 
Email: TheNinjaFelix@gmail.com


Friday, January 2, 2015

Keep The Fame (Mixtape) - Sulphuric [Free Download]


Tracklist

Dark Knights
Used to Know
Subliminal Shots
Nyikira
Ani Abasinga
The Muganda
I'm Not Mad
Feels Good To Be East African
Don't Cry
African Girl
Underdog
UG Who's Real
Wonder If You Know

BONUS TRACKS
Bulikiro
Kla'ssick
Byendabye Mbilabye
Growing Pains

Download Keep The Fame (mixtape)-Sulphuric.zip (68MB)

Other Download links: Download Keep The Fame Mixtape Here (68MB)


Sulphuric Talks "KEEP THE FAME" Mixtape [Interview + Free Digital Booklet]

Keep The Fame (cover)

By Byaruhnaga Felix (@TheNinjaFelix)

Finally we get to release this mixtape. It's been a long journey since 2013 when we (The Tribe UG) approached Sulphuric about the release of this particular project. Back in 2013 it was known as "U.G .'NOMICS; When Pain &Success Rhyme" but along the way communication, determination, dedication and focus among parties was lost until of recent when I caught up with Sulphuric and we had a conversation about everything to do with UG hip-hop, change of the name of the mixtape, future projects and his personal career. Sulphuric is releasing the mixtape tomorrow (03.12.2015) under the title 'Keep The Fame'. It consists of projects that you may or may not have listened to before but we are attaching a digital booklet (PDF Version) about the mixtape that you can download here (665KB).
The booklet should give you a quick preview about the mixtape also show you who contributed to the final product of this mixtape but for now  here are a few excerpts  of the conversation we had.

QN: Whats good boss? Its good to have you here At The Tribe. To start off why has the mixtape taken this long?

The honor is mine sir. Thanks for the good work you're doing. I really appreciate. But that's a good question. There's a Drake quote that's stuck with me over the years, where he goes: "never forget the moments you began to doubt/ transitioning, from fitting in, to standing out" I relate to that but from like a selfish thought process. Because, besides not having the  inspiration to create.
I went through a phase creatively where I was trying to fit in and trying even harder to stand out. Its like i got caught up in the hype quite honestly.

Initially when i made music i made it for myself, to inspire myself. If it inspired another person, that's cool. But I didn't care about their opinion whatsoever. It was for selfish reasons quite honestly. So yeah, like i said I got caught up in the hype and started to care about opinions. When that happens, as an artist you get writer's block. You like start second guessing yourself. That's the moments of doubt Drake's talking about (laughs) But yeah, that and a 9 to 5 don't make for a great combination.

QN: You have changed the name of the mixtape a number of times, why is that so & why did you Finally settle for 'Keep The Fame'?

I'm a Gemini man. We're known for having emotional mood swings and what not (laughs). So i keep changing the title according to how i feel at the time. But now it makes sense because I don't have writer's block; i'm not second guessing myself; i'm back in my zone. And by "my zone" i mean making music for MYSELF. I think that should pretty much explain this title (laughs)

QN: You're in the process of shooting the 'Dark Knights' video and you're releasing a complete project does that mean sulfuric is officially back into music? Should we expect more projects perhaps an album?!

You see the cameras man. So you already know (laughs). But yeah man, i'm working on a few things. Bigger things actually. I just needed to get this music out of the way before the real storm. "KEEP THE FAME" is free; consists mainly of old music with a few exceptions. I'm really just trying to get it out of the way. But as you can see a "Dark Nights" visual will follow. Shout to Nes. This man is a Kanye west of visuals. Managed to breath life into this vision that i had for the record. So Mtv, Channel O, U.G is coming (laughs).

Yeah but after this project I have a collaborative EP album we're working on with Mr. StoneTown. What we're doing is, we're sampling music from the African continent's greats: Fela Kuti, Yvone Chaka chaka, Lucky Dube. So we're fusing an african sound with the 90's Newyork boom bap sound to create a whole new sound. No one has done this before, so i know its going to knock down barriers. So far, I got Santana on one of the songs. I'm hoping to score more features of artists I'm already fans of. Female Mcees preferrably. After that i will drop my full LP that we've been working on for the last 2 years. That one is not free (laughs). So yeah bro, we're stepping on afew toes this year.

QN: You released 'Don't Cry' ft. so severe back in 2012 and it made it to song of the year (2014) on one of the radio stations in town. what does this mean to you? Are Ugandan stations just appreciating ug hip-hop?

Actually that's a good question. To me a 2012 record making a 2014 'records of the year' list just shows me either there isn't enough good hip-hop being handed in or "Don't Cry" is simply a classic. Lets call it what it is. And the fact that i didn't make it for radio consumption at all in the first place makes it all the more timeless.

You can listen to that song or "Dark Nights" or "I'm not mad" or "Used to know" 10, 20, 30 years from now and still feel the freshness. Because my secret is simple: I don't focus on the "Sulphuric" brand. I focus on the "legacy": what will I be remembered for? When my time is up, what was my contribution? How many did i inspire? When in actuality the only person i'm trying to inspire is me. To me that thought process is the secret to making timeless songs, bro. I really believe that. And that's what i feel sets me apart from any other artist not just in U.G but on the entire continent, period. Not to come off cocky but its kind of the truth (laughs)

QN: Let's talk about the projects on the mixtape. You're honest on most of your songs like on dark knights where you refer to your grand mum and growing up without a dad. Do you choose to be honest when you get into the booth?! How's your process of creating a song (a song like dark knights)?!

Another good question. You see, there are different perspectives, dimensions or approaches an artist develops as they grow. And the things Atlas who i respect very much by the way but the things or image he & artists with that style portrays or talks about now. I did when I was 16 to 20 years old. I'm older now. You don't need to know the material things I posses, when I know the material things I don't. So to me it all boils down to the legacy. I plan to be a father someday. So I don;t want to be remembered as the guy who rapped about swag, cars, jewels, how many girls i slept with...even though i'v been blessed to have had all these things. I rather make music that's heartfelt, real and with a meaning because that's the type of music I want to hear anyway. Like to me, its not that serious. Rappers tend to take themselves too seriously.

I don't have to create an image. I can just be myself because I don't care about the next man's opinion. Or what popular culture dictates i should act or dress like because I have nothing to be ashamed of. And I'm very observant. As any artist should be. So my writing process is like... sometimes i'm the observer, sometimes i'm the participant. So when I say, "I'm bumpin' Pac looking forward to better days/ girls laughing cos i got on the same clothes i wore yesterday" its like, no one ever laughed at me for wearing the same clothes I wore yesterday (laughs). But it has happened to someone i know, and when they hear it and the way i say it, they will relate. And that song will stay on their playlist forever. Again, kind of like how Rick Ross makes lyrics that will push his brand. Jay-Z makes lyrics that will sustain his legacy. That's the difference. But don't get me wrong. As you can see on this project, I never imprison my creativity: I will give you that real; then give you style; then give you bars; I even switch and go Bobiwine local (laughs). So you cant categorize me. Therefore even 30 years from now you wont be bored of Sulphuric 'cause I have a lot of diversity to offer as an artist.

QN: While We are still on the subject of being honest in your songs allow me to quote you on 'The Muganda',  "everyman for they selves, this combat/ whatever you're trying to be now, i was that"  Is there anyone you're trying to refer to in particular in this song?!

(Laughs) Well, I don't know if its okay for me to say this because I recorded that song in 2012 man. Its 2015. Happy new year by the way (laughs). But yeah man, just to put it on record, that was around the time i'd stopped doing it for myself. The hype had got to me (laughs). I didn't have much going on. I started giving people what they wanted to listen to. Which wasn't the case for me in the beginning. So basically, with those particular lyrics. I thought at the time, honestly, my then good friend Atlas was a little jealous of me. I think he's naturally just a very competitive person. I'v been a sportsman all my life so i can see where he was coming from with that.

We just never talked about whatever happened. There was a lot going on but just on some personal shit. But i kept it moving. He did too. From me its always been love and respect though. Actually, Respectful enough that i did a video for that particular record and didn't put it out. People don't know that i have a sick visual for that song. I have it to this day man. I had Enygma, Krac and a whole bunch of big weaves come through to support the shoot. But like i said, i make music for me man. So no one has to see that video. Besides, i was trash talking everybody, not just one person. Everybody.

When you listen to "The Muganda" I was angry, competitive, caught up in the hype. Now, i'm just chilling tho (laughs). I'm peacefully in my zone. I don't want to compete, or impress. I don't even want you to be impressed by my music, bro. Man, you could tell me i'm the best rapper in U.G. You're getting the same reaction from me as you telling me i'm the wackiest. I could careless, honestly. No one here is getting NBA player money from rap. So its not that serious. Its really not that serious. Shout out to Atlas, man. Shout out to the hip-hop family, man. They can keep the fame. 2015 is ours though (laughs).

QN: I believe as a rapper you have been following the hip-hop scene according to you are there any rappers who have raised the bar or who have earned your respect?!

I haven't really been following the hip-hop scene that closely quite honestly. But i attended the End Of The Weak concert. The energy in there was insane. Shouts to whoever put that together. Another highlight for me was Mith's Destination:AFRICA album which I enjoyed heads to tails. Lyrical G's album showed why he's still the O.G in U.G hip-hop. And that Super Cypher by the Sphynx too was a game breaker. But other than that there's alot of hot artists on the scene that I respect enormously but unfortunately, this interview is about Sulphuric.

Download The Free Digital Booklet Here.

Keep The Fame TracKlist 
Connect with Sulphuric

Contact Writer 
Twitter: @TheNinjaFelix 
Facebook: Byaruhanga Felix Felifed 
Email: TheNinjaFelix@gmail.com

Thursday, January 1, 2015

#TuckerTuesdays2014 [Free Download]


By Byaruhanga Felix (@TheNinjaFelix)

The first song review we ever did on the blog was Tucker's 'Campu' back in 2013 and today we are hosting a compilation of his 2014 #TuckerTuesdays. #TuckerTuesdays2014 consists of all songs & freestyles that Tucker Released last year under his platform "#TuckerTuesdays".

On that note we would want to thank any one who contributed to our 2014 being a good year, we truly appreciate and have a blessed 2015!

Download #TuckerTuesdays2014 here (76.73MB)



Connect With Tucker
Facebook: Tucker HD
Twitter: @TuckerHDMusic


Contact Writer 
Twitter: @TheNinjaFelix 
Facebook: Byaruhanga Felix Felifed 
Email: TheNinjaFelix@gmail.com

Tuesday, December 30, 2014

TOP UG NEW SKOOL-RAPPERS 2014



By Byaruhanga Felix (@TheNinjaFelix)

If you’ve clicked that link thanks and if you don’t see your name or your favorite new skool rapper’s name below don’t catch feelings just share your thoughts with us via twitter @TheNinjaFelix or @TheTribe_UG. For ease of coming up with the list and reducing arguments we had while creating the list we divided UG hip-hop into two eras that’s before the Klear Kut (old skool)and the post Klear Kut era that’s after their break through. I chose the post Klear Kut era to be as the start of the new skool rapper’s era in UG hip-hop for a bunch of reasons and that’s a whole other article for some day. But don’t get me wrong I’m not using Klear Kut as the standard comparison for new skool rappers. So let’s move on to the criteria we used to come up with the names of the new skool rappers who made a killing this year; we considered lyrical ability, consistency, quality, originality, packaging, complete projects and one’s potential to be bigger brand.

CODE
 After the shut it down remix we were all waiting for CODE’s follow up after the entire star studded remix but CODE went ahead to prove us that he had bigger projects than the remix. He started a Revolution with his #CODEConnect platform that not only gave him a way of interacting with fans but also birthed ideas to keep him relevant. He followed up his conscious “revolution” track with Enter The Ring. With enter the ring that was CODE showing his own lane and has broken barriers on different stations and the web.

 Tucker HD
When they talk about Tucker this year the first thing to come to your mind this year is #TuckerTuesdays. With #TuckerTuesdays the Airportaxi co-pilot has stayed relevant, interacted with his listeners while maintaining his lyrical muscle which has seen him garnering respect from different people as one of the best lyricists among the new skool rappers. And without Talent Africa projects he has stayed consistent and ahead of his fellow rappers.

Benezeri
One mixtape, two albums and two concerts Benezeri shows that hardwork pays off and you don’t have to attain a stadium status to have a concert but rather know your target fans. Benezeri has managed to carry a message through his songs while at the same time he entertains his audience through songs like Zukukuka, Blest and others thus creating an impact on the youths of the country that listen to his music. One might argue that Benezeri deserved a much higher spot on the list but presentation of his product still needs polishing.

St.NellySade & Banamutibwa
2014 saw these two lugaflow army rappers releasing visuals for their projects like letter to Babaluku by Banamutibwa, Blessed Cypher, & Nina plan by St. Nellysade. Both St.Nellysade & Banamutibwa didn’t release any ground-breaking projects this year but we can’t over-look their efforts in organizing the End of the Weak world champions that happened recently in Uganda. They created a platform for young and upcoming rappers and there’s nothing more satisfying like providing a platform for one to achieve his/her dreams/goals. Furthermore you can’t speak about St.Nellysade’s 2014 without talking about his appearance on the UG Cypher one of the major projects that brought together the rap heavy-weights in the country which proves his relevancy and dominance in the Ugandan rap industry. St.Nellysade is the current president of End of the weak Uganda taking over from his fellow Lugaflow army rapper Banamutibwa.

Play 01
He is the other half of ‘House Ov Stone’ which is a combination of him and his elder brother who is a hip-hop producer. Play 01 has been a producer on one of the major projects this year on which he also happens to feature like the Blessed cypher in early January which he also edited the video for, his ‘Bad Manners’ track and of recent the ‘Blessed Cypher’ on to which he sampled Star wars theme song, blessed it with a verse and delivered a super hero themed track with assistance of his fellow rappers.

Patrobas
Patrobas is not on the list because of “256” though some of you have caught up with the track this year just because the video was released this but the track dates back to the July of 2013. But through his Dustiville umbrella Patrobas has stayed consistent with releasing tracks this year such as ‘talk around town, falling in line. He even went on to feature on one of the best hip-hop albums this year (Mith’s Destination:AFRICA) alongside other rap giants in the country.

Gravity Omutujju
Yes, Gravity Omutujju, you may not agree with his idea/sound of hip-hop but yeah he has contributed to the growth of the hip-hop industry. He has moved the genre on to the streets and to the common people in downtown markets which has helped to break a barrier for the hip-hop market. He has had more shows than most rappers in addition to his concert. If you have a product to sell that touches the common people in downtown streets and “boda-boda” cyclists then Gravity Omutujju is the guy to use to push the product. His lyrics resonate with the downtown people who make him relevant and his been consistent ever since “swagazilla”.

Nemesis
The first time I saw Nemesis it was back in 2013 at urban TV when Kyle had invited me to the shoot of one of his TV show episodes. It was also the first time I heard him rhyme/freestyle and as Kyle was closing the show I asked him what criteria he was using to choose people who freestyle on his show cause Nemesis was better than the other rappers that had appeared on the show that day. Fast forward to 2014 Nemesis signs with Baboon Forest and he has appeared on one of the major tracks out of the camp this year and of course we can’t forget his battle with Ruyonga.

 Honored Mentions; O.P.U, Flex D’Paper, Agee, The Sphynx, Fassie, Benny Black, Suspekt, Mal-X,

Contact Writer 
Twitter: @TheNinjaFelix 
Facebook: Byaruhanga Felix Felifed 
Email: TheNinjaFelix@gmail.com

Thursday, December 11, 2014

DOWNLOAD: Road2DestinationAFRICA Mixtape - The-Mith